Toutes peintures ā l'huile d'Giulio Cesare Procaccini
Choice ID Image  Painting (From A to Z)       Details 
91091 Federico Borromeo  Federico Borromeo   oil on canvas, cm 68x55 Date 1610(1610) cyf
82022 Incoronazione della Vergine  Incoronazione della Vergine   Incoronazione della Vergine (Getty Museum). Italian, about 1604 - 1607. Oil on panel. 38 1/4 x 28 1/4 in. 83.PB.24 cjr
3418 Madonna and Child with Saints and Angels  Madonna and Child with Saints and Angels   Metropolitan Museum of Art, New York
95889 Matyrdom of St Rufina and St Seconda  Matyrdom of St Rufina and St Seconda   circa 1625(1625) Medium oil on canvas cyf
89142 St Sebastian Tended by Angels  St Sebastian Tended by Angels   between 1610(1610) and 1612(1612) Medium oil on wood cyf
95890 The Mystic Marriage of St Catherine  The Mystic Marriage of St Catherine   first half of 17th century Medium oil on canvas cyf
Giulio Cesare Procaccini
1574-1625 Italian Giulio Cesare Procaccini Gallery Giulio Cesare Procaccini (1574-1625) was an Italian painter and sculptor of the early Baroque era in Milan. Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti. He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the Quadroni, large canvases celebrating Saint Charles Borromeo . Among his many altarpieces are the Circumcision now in Galleria Estense, Modena (c.1616) and the Last Supper (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the Scourging of Christ. He worked with Giovanni Battista Crespi (il Cerano) and Pier Francesco Mazzucchelli (il Morazzone) following the directions of Cardinal Federico Borromeo, patron of the arts and cousin of Charles Borromeo. He also painted small religious canvases for rich families, in Milan and in Genoa, where he saw the works of Rubens. His style shows the influence of Bolognese Mannerism and Venetian colorism and marks the beginning of the Baroque.



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